STUDIOS
SANDSTORM EALING : STAGE 2
- 10,000ft2 / 930 m2
- 125ft x 75ft x 34ft (denotes working height at gantry) / 38m x 23m x 10m(h)
- 375A mains (included in the rate) available on stage
- Loading = 500kg point load, 1000kg per beam, 10,000kg total load evenly distributed
- Sound-deadened w/excellent acoustics
- Wooden floor
- 15ft high main access – 14ft wide
- Red light & bell
- Superb classic sound stage studio, built in 1931.
Everything you’re used to doing with Sandstorm can be done in here AND more.
SET-BUILD, ART & PROPS
SET-BUILD
We have a full set build facility on-site, ready to go, with a lot of pre-configured room setups too. From a six room set; built, painted and ready to shoot in just three days to huge greenscreen rigs or small single room sets. We’ve done most things here and are on-hand, without any hassle.
PRODUCTION DESIGN / ART DIRECTION
With almost 25 years of experience designing sets we can help you create the perfect setting for your next campaign, film or even live event. As well as an extensive props store and set building team on-site, we can provide art direction, holistic production design and simple set design and dressing to suit your project and budget.
If you’re on a budget, utilise props from our store.
PROPS
We have a large collection of props on-site, the inventory is constantly changed and recycled. As a guide it includes – flats (for making walls), flooring (vinyl, fake grass, carpet and laminate), tables & chairs, sofas, plants, kitchen ware, side units. Call us and speak to Kitt or Jenny to see what we have that might drastically reduce the budget on your next production
KIT / EQUIPMENT
TECHNODOLLY 15 & 25
A fully repeatable, near silent, camera crane and all axis motion control rig in one – now available in two sizes, 15ft and 25ft. Amazing for creating either super smooth and complex motion control movements or fully hand-held crane moves, repeatable at the touch of a button, unachievable with any other system.
- Multi-axis repeatable camera crane with motion control functionality.
- Studio or Location operation
- Silent movement
- Use like a crane or a motion control rig
- Familiar controls allow your grip team to quickly integrate Technodolly into their workflow
GRIP
- TechnoDolly
- ST50+ aka SuperTechnoCrane
- TC10 – 10ft Mini Crane with repeatable head
- Ronford 4ft Slider
- Elemack ride-on dolly
- Skater dolly
- Easy rig
- O’Connor heads
- Short & Tall Sticks
- Tracks, crates and wedges
CAMERAS
- Alexa Mini
- Alexa 35
- Alexa Mini LF
- Blackmagic Ursa
- Sony FX30
- GoPro Hero 7+8
- Fuji GFX 100 ii
LENSES
- Cooke S4i 9 lens kit (12mm, 18mm, 25mm, 32mm, 40mm, 50mm, 75mm, 100mm, 135mm)
- Arri Master Prime lens set (T1.3 18mm, 25mm, 35mm, 50mm, 75mm)
- Arriflex Super Speed prime lens set (T1.3 35mm, 50mm, 85mm)
- Cooke S4i 3 lens kit (see above for options)
- Cooke Anamorphic/i prime lens set (32mm, 65mm macro, 135mm)
- Arri Master Macro 100mm (PL)
- ArriFlex Zeiss Vintage set (EOS mount)
- DZO Pavo Anamorphic set
LIGHTING
- Arri Skypanels (S30C + S60C) w/accessories
- Arri Orbiter w/accessories
- Nanlight Forza 60C’s + PavoSlim panels
- Aputure 600D’s w/accessories
- Astera Titans, Helios, Hyperion and NYX
- 12K to 125W HMI/MSR
- 12K to 150W tungsten fixtures
- Broncolor Strobe Lighting
- TourHazer II
- Moonlight remote DMX
- Full range of stands, scaffold and rigging
- Frames, diffusion, flags, drapes and rags
SOUND
- Dolby Atmos mix facilities on-site
- Radio and TV mixing, sound design, foley, dubbing, mastering
- Superb microphones, Sound Devices recorders, wireless and wired solutions on set
- Radio mics (Cos 11d) and discrete in-ear
- Boom mics
- DJI Mic system – 2 mics with built-in recorders and 1 receiver for camera (a really neat little kit)
ACCESSORIES & NICE TO HAVES
- High-end AutoCue system available with operator
- Follow focus setups including PRESTON MDR4, WCU-4 and traditional Arri FF-5
- Lots of lovely lens filtration, matte boxes, camera accessories
- Teradek & Vaxxis wireless video systems w/ 7″ Director monitor
- On-set TV-Logic monitoring
- Ambient timecode system including digi-slate
- Remote viewing system
- Q Take / playback (normally requires a Sandstorm operator)
- Scaffold, rigging hoists and winches
- Greenscreen / Bluescreen drapes
- High access machines – including scissor lift and cherry picker on-site
- Generators for safe, reliable power
TESTIMONIALS
Louie Blystad-Collins – DOP – Best studios I’ve ever worked in for sure, and the team are brilliant. Literally the best. I haven’t seen anything to compare ever. Just wish I shot there more often.
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Dyson (In-house film producer) – Fantastic facilities. Top of the line kit. Talented Crew. Relaxed atmosphere and very accommodating team. Not to mention very reasonable prices. I highly recommend Sandstorm.
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Andrew Dennis (Voice-over artist) – You guys are such a breath of fresh air when it comes to working with media companies – great to work with, super pro.
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Jason Laroza (Film producer) – I have worked with Sandstorm Films on a few projects and highly commend them on their professionalism, knowledge and execution of high end video production. There are 3 studios to choose from along with a multitude of high end equipment, their Dolby audio mix suite needs to be seen (and heard) to be believed!
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Andy Lewis (Producer) – State of the art media facility. Filming for commercials. Photographic studio’s. Post production. More tech than you can shake a stick at. Very accommodating and highly professional. Thoroughly recommended. Oh and Curtis makes great coffee as the added bonus.
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Neeta Madahar (Artist) – I love Sandstorm’s honesty and knowledge, they never try to blind you with jargon or science, they just help you make really beautiful films.
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